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Action Shakespeare

Exploring Shakespeare across disciplines and communities through performance, guest lectures, scholarship and special classes.

Housed in the College of Arts + Architecture, but working across colleges and disciplines (particularly the departments of English and Theatre), Action Shakespeare serves to advance and coordinate various activities and initiatives related to the production and exploration of Shakespeare’s work and that of his contemporaries. Its goal is to further the study and enjoyment of Renaissance/Early Modern drama and culture, particularly through performance, on campus and in the broader Charlotte community.

Action Shakespeare brings in guest speakers for lectures; integrates live performance into campus learning; and provides funding for student scholarships and special classes. It orchestrates student and faculty gatherings, is actively engaged in community outreach, engages with area schools, and is dedicated to fostering dialogue between experts in theatre, literature, history, art, psychology, music, education and other areas of art and material culture relevant to the study of Shakespeare’s works.

2026/27 Season

Semester Happenings

Every Thing That Grows

If “All the world’s a stage,” then it follows that classrooms, studios, galleries and gardens are too!  Four hundred years after his death, Shakespeare’s works continue to inspire artists across the globe with his raucous wit, heartfelt verse, and keen observations about what it means to be human. 

This project takes as its inspiration, six of Shakespeare’s sonnets that focus on life cycles in nature —  themes of birth, growth, attraction, propagation, decline, and death. Student writers, actors, soundscape designers, choreographers, dancers, composers, musicians, 3-d artists and architects (and their respective faculty) are using classes, labs, and projects within their specialties to create new works based on the sonnets… and each others’ work!

This multi-department effort will result in a gallery show of sculptures with music and dance performances, online aural content and a long-term exhibition along the paths of the Van Landingham Glen in the Botanical Gardens on campus. 

Come experience music in an art gallery or sculpture in a garden, dance along to sonnets, and listen to new theatre works online in this multi-modal and cross-disciplinary exploration of the cycles of life.

Faculty leaders: Tom Burch (Theatre), Jonathan Dessi-Olive (Architecture), Marissa Nesbit (Dance), Marek Ranis (Art), and Elizabeth Sullivan (Music)

ONLINE CONTENT: starting Nov 9
GALLERY SHOW: Lambla Gallery Nov 9-15
MUSIC AND DANCE PERFORMANCES: Nov 13
DANCE IN THE GARDEN: March 20 and 21, 2027
BOTANICAL GARDEN (in the Van Landingham Glen): March 2027-March 2028 


Shakespeare’s Sass

This one-woman show – devised and directed by Rob Conkie, assistant directed by Elle Bilips, and performed by Ariana Zappley – debuted in May 2026 at Garinger High School and will continue to tour local schools throughout the 2026-27 academic year.


Othello

Last year, the Action Shakespeare troupe took scenes from Othello into Garinger High School. We are looking to do this again. Stay tuned…


Excursions

Students and faculty will visit the American Shakespeare Center in Staunton, Virginia, October 17-18. On the program is a performance of The Tempest. More information coming soon!


The Winter’s Tale

By William Shakespeare
Adapted and directed by Rob Conkie
March 18-21, 2027
Black Box Theater, Robinson Hall

The Winter’s Tale is one of Shakespeare’s last plays. 
It starts off tragic, then turns magic. 
Someone exits, pursued by a bear. 
There’s a sheep-shearing, swing-dancing, festival.
Love, and a pickpocket, is in the air.

I mean, what more could you want…? 

The program history

Action Shakespeare History

Shakespeare in Action was established by Dr. Andrew Hartley, UNC Charlotte’s first Robinson Distinguished Professor of Shakespeare Studies, with Professor of English Kirk Melnikoff. SIA’s activities are funded in part by the chaired position’s endowment. In Spring 2022, Dr. Hartley retired from UNC Charlotte, and in Fall 2023, the College of Arts + Architecture welcomed Dr. Rob Conkie as the new Robinson Distinguished Professor of Shakespeare Studies, who changed the name to Action Shakespeare.

Between 2010 and 2016, SIA’s various activities coalesced into a single project called “36 in 6” (see more below), the mission of which was to host an event connected to each play in the Shakespeare canon in the 6-year period leading up to the 400th anniversary of his death on April 23rd, 2016. In keeping with SIA’s previous work, these events took different forms—lectures by professors with particular expertise in the selected play, staged readings, theatre department productions, and guest productions—all culminating in a gala event built around As You Like It.

SIA was on hiatus for the 2016-17 academic year while Dr. Hartley was away on reassignment of duties. In 2017-18 SIA helped fund the Actors From the London Stage’s visiting production of Measure for Measure, and donated scholarship money to the Shakespeare in England study abroad course. In Fall 2018, the Department of Theatre presented Twelfth Night, directed by Dr. Hartley and in Fall 2021 produced the audio play, The Corona Caesar, adapted and directed by Dr. Hartley.

During the 2022 Spring semester, prior to retiring from UNC Charlotte, Dr. Hartley organized “Shakespeare and Inclusivity: a semester-long case study of The Merchant of Venice.” The project included lectures, public readings, a workshop, a film screening, and a study tour to Washington, D.C.

Learn more about 36-in-6 Project Offerings (2010-2016)

Department of Theatre Productions
  • A Midsummer Night’s Dream (spring 2011), dir. Hartley. Included a guest lecture on the play by Peter Holland (Notre Dame University): Disfigured Dreams and the Problem of Marriage in A Midsummer Night’s Dream.
  • Twelfth Night (spring 2012), dir. Bumgarner.
  • Romeo and Juliet (spring 2013), dir. Vesce.
  • The Shrew Project (spring 2014), an adaptive workshop production of The
  • Taming of the Shrew which played in campus and toured local high schools, dir. Mizell and Hartley
  • Merry Wives (Fall 2014), an adaptation of The Merry Wives of Windsor, dir. Mizell.
  • The Tragical History of Hamlet, Prince of Denmark (Fall 2015), based on the 1602 (First Quarto) text, dir. Vesce. Also featured a guest lecture by Paul Menzer (Mary Baldwin College) on staging Hamlet Q1.
  • As We Like It, a selection of scenes from As You Like It performed by students (dir. Hartley) with musical selections from the play performed by the music department’s jazz ensemble, and interspersed with brief lectures by SIA faculty, Drs. Hartley, Menikoff and Munroe (April 2016).
Guest Company Performances
  • Macbeth, Actors from the London Stage, March 2015
  • Othello, Actors from the London Stage, October 2013. Including guest lecture by Dr. Ayanna Thompson (George Washington University): “Othello in the Twenty First Century: To Perform or Not to Perform”
  • The Merchant of Venice, Actors from the London Stage, October 2012
  • The Tempest, Actors from the London Stage, November 2011
Guest Lectures
  • Dr. Kent Cartwright (University of Maryland)
    • What I Learned About Shakespeare from Editing… The Comedy of Errors
    • 4:00 PM | Thursday, January 21, 2016 | Fretwell 290B
  • Dr. Garrett Sullivan (Penn State University)
    • A Pair So Famous: Memory, Sexuality, and Selfhood in Antony and Cleopatra
    • 4:00 PM | Wednesday, October 14, 2015| Fretwell 290B
  • Dr. Sujata Iyengar (University of Georgia)
    • Why Shakespeare’s King John leaves out the Magna Carta
    • 4:00 PM | Thursday, September 10, 2015| Fretwell 290B
  • Dr. Richard Preiss (University of Utah)
    • Stained with Variation: Clowning in Henry IV Parts 1 and 2
    • 4:00 PM | October 2nd 2014 | Fretwell 290B
  • Dr. Sonya Brockman (University of North Carolina at Charlotte)
    • Raping Lucrece: Trauma, Rhetoric and Reception in The Rape of Lucrece
    • 4:00 PM | February 19th, 2014 | Robinson Choir Room
  • Dr. Jeremy Lopez (University of Toronto)
    • Modern Times; Apocryphal Plays and the Meaning of ‘Non-Shakepseare’
    • 6:00 PM | October 2, 2011 | Robinson Hall 106
  • Dr. Rebecca Laroche (University of Colorado)
    • No simple maid: Women, Herbal Medicine, and the Complex Heroine of All’s Well That Ends Well
    • 10:30 am | February 25th, 2012 | Winghaven Gardens
  • Tara Ochs (Georgia Shakespeare and Dad’s Garage)
    • A conversation on performing in Two Gentlemen of Verona
    • 4:00 PM | February 5th, 2015 | Fretwell 290B
  • Dr. Kirk Melnikoff (University of North Carolina at Charlotte)
    • Texts and Performances: Measure for Measure
    • 6:00 PM | March 1, 2011 | Queens University, Sykes Auditorium
  • Dr. Helen Hull (Queens University)
    • Henry VIII on Trial
    • 6:00 PM | January 27th, 2011 | Robinson Hall 106
  • Dr. Rebecca Bushnell (University of Pennsylvania)
    • Shakespeare’s Gardens Then and Now: Richard II (36 in 6 launch event)
    • 11:00 AM | April 24th, 2010 | Mint Museum
  • SIA Faculty
    • Love’s Labour’s Lost and Modern Performance Contexts: A Public Workshop
    • 5:30 PM | October 20, 2010 | Robinson Hall 109
  • Dr. Samuel Crowl (Ohio University)
    • Coriolanus (Film screening, lecture and discussion, partnered with the Charlotte
    • Film Society)
    • 12:00 PM | November 3rd, 2013 | Crownpoint Movie Theatre
  • Dr. Jennifer Munroe (University of North Carolina at Charlotte)
    • Speaking for Lavinia: Gender and Power in Shakespeare’s Titus Andronicus in
    • Film
    • 5.30 PM | March 28th, 2013 | Fretwell 121
  • Dr. Andrew James Hartley (University of North Carolina at Charlotte)
    • Julius Caesar on Film (Including screening of the 1953 film, dir. Mankiewicz)
    • 1:30 PM | October 29th, 2011 | UNC Charlotte Centre City Building
  • Dr. James Siemon (Boston University)
    • How the Tyrant got his Hump and Limp: The Social Body of Shakespeare’s
    • Richard III
    • 6:30 PM | October 2nd, 2013 | Robinson Hall Choir Room
  • Dr. Stuart Hampton-Reeves (University of Central Lancashire)
    • Shakespeare’s Worst Plays?: Staging the Three Parts of Henry VI
    • 11:00 AM | November 6th, 2010 | Winghaven
  • Tom Cornford (University of York)
    • Adapting The Winter’s Tale: Rehearsal-Based Approaches to Shakespeare
    • 6:30 PM | March 20th, 2014 | Robinson 103

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